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MARK
JAMES ESTREN |
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A
HISTORY OF UNDERGROUND COMICS |
by Mark James Estren |
Paperback
Ronin Publishing
ISBN: 091417164X |
$19.95
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Perched halfway
between college humor magazines and National Lampoon, underground comics
are an overlooked component of the history of humor in this country. At
their best, they're also fun as hell to read--protopunk satire, so crazy,
crass, and scatological that the stories nearly drip off the page. |
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Mark James Estren's
History of Underground Comics is an excellent survey of the art in the
days before Crumb was a movie star and well-mannered alternative weeklies
brought Matt Groening and Lynda Barry into every suburb. If you're a fan
of the Fabulous Furry Freak Brothers, Trashman, Bobby London's Duck and
Weevil--and you know if you are--buy this book. Even if you're from the
Love and Rockets generation, take advantage of this primo guided tour. |
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WALTER
FOSTER |
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The HOW
TO DRAW Series |
Click
here for the complete line of WALTER FOSTER
'How to Draw the DC Super-Heroes' books
featuring
.
How to Draw
Superman
How to Draw Batman
How to Draw Wonder Woman
.
and more
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GRANT
GEISSMAN
&
FRED
Von BERNEWITZ |
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TALES
OF TERROR!
The EC Companion |
by Grant Geissman & Fred Von Bernewitz |
Paperback: 288 pages
Fantagraphics Books
ISBN: 1560974028 |
$24.95
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John Landis,
film director:
"A wonderful book! An EC
lover's dream come true." |
From Booklist:
Nearly 50 years after they
were crushed by moral guardians outraged by their Grand Guignol excesses,
the genre comic books published by EC Comics still enthrall readers who
grew up with them and generations of younger fans, too. EC's horror, science
fiction, and war comics remain unsurpassed, and the early EC issues of
Mad vitally influenced a generation of humorists and cartoonists. EC's
output has been the subject of many lavish publications, including slipcased,
oversize reprints of the runs of several titles and massive coffee-table
tributes, but this book by two longtime fans is something else again. Its
heart is a checklist, with detailed writer and artist credits, of every
single EC comic book. This core is rounded out with interviews of comics
creators, photos, private sketches, and other memorabilia, such as EC publisher
William Gaines' testimony before the U.S. Senate subcommittee investigating
horror comics. Most of the previous books about EC were designed for a
relatively mainstream audience. This one aims at the hardcore fan-addicts--and
should hit that target dead center.
Gordon Flagg
Copyright ©
American Library Association. All rights reserved.
Dimensions (in inches): 0.73 x 12.02 x 9.12
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Nat
Gertler |
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PANEL
ONE:
Comic
Book Scripts
by
Top Writers |
Edited by Nat Gertler
Featuring scripts by Neil Gaiman, Kevin Smith, Kurt
Busiek, Jeff Smith, Greg Rucka, Nat Gertler, Dwayne
McDuffie, Trina Robbins, & Marv Wolfman,
with art by Steve Lieber |
Paperback: 200 pages
About Comics
ISBN: 0971633800 |
$19.95
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Steven Grant's
Permanent Damage column, April 3rd, 2002
There aren't many books
that pass for "invaluable references" in our field, but this qualifies.
Comics Buyer's Guide issue
1483
It's an attractive package
put together by comics writer Nat Gertler, and it's welcome, indeed.
GRADE: A
.
For future writers, future
artists, and those who just want to see how it's done, here's a collection
of comic book scripts from some of comicdom's top talents. See how Neil
Gaiman writes a superhero story, how Marv Wolfman provides a plot for his
artist to work from, and how Jeff Smith draws a script for Rose.
Also included are a Jay &
Silent Bob script by filmmaker Kevin Smith, a Whiteout script by novelist
Greg Rucka, GoGirl! by Trina Robbins, Deathlok by Milestone co-founder
Dwayne McDuffie, and Kurt Busiek's Astro City by Astro City's Kurt Busiek.
Plus, a short script by Eisner nominee Nat Gertler, with the finished story
drawn by Detective Comics's Steve Lieber –available in America for the
first time!
About the Authors
Kurt Busiek was working
in comics for many years before rocketing to the top of the field by writing
Marvels. His original series Astro City has been a lightning-rod for awards.
Neil Gaiman is the New York
Times best-selling author of American Gods and Sandman.
Nat Gertler, contributor
to and editor of Panel One has written for dozens of publishers. He was
nominated for an Eisner award due to his self-published alternative superhero
miniseries The Factor.
Dwayne McDuffie co-founded
Milestone Media, the most successful black-owned comic book company ever.
He co-created Static and writes for the TV adaptation of that series, Static
Shock.
Trina Robbins is one of comics
leading historians, and her book The Great Women Cartoonists was on the
top 10 list for the year 2001 at Time magazine's website.
Greg Rucka was already a
respected novelist when he turned to comics, where he quickly garnered
awards for his antarctic thriller Whiteout.
Jeff Smith is the cartoonist
behind the popular fantasy series Bone. His work on Rose is a rare example
of him writing comics for another artist to draw.
Kevin Smith set the independent
film world ablaze with his black-and-white film Clerks. He is the writer,
director, and star of such popular films as Chasing Amy and Jay and Silent
Bob Strike Back!. He has brought his own characters to comics, as well
as bringing the second-string superheroes Daredevil and Green Arrow up
to superstar status.
Marv Wolfman wrote Crisis
on Infinite Earths, voted the second best comics story of the 20th century.
His long run on Tomb of Dracula included the introduction of the character
"Blade", the basis for a series of films. |
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LURENE
HAINES |
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THE
BUSINESS
OF
COMICS
Everything a Comic Book Artist
Needs to Make It in the Business |
by Lurene Haines |
Paperback: 192 pages
Watson-Guptill Publications
ISBN: 082300547X |
$16.95
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A practical
guide to establishing a successful career in the comic book business, this
informative book contains guidelines for successful interviews, promoting
oneself at comics conventions, and marketing through the mail.
40 illustrations.
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From the
author, Lurene Haines
A fully updated, comprehensive
guide to the comics business!
This book is a broad guide
to the specific business practices and techniques used by comic professionals.
Each chapter deals with a unique aspect of getting into comics and conducting
yourself as a professional. Includes over 40 interviews with established
professionals, submissions guidelines, forms, company contacts, legal practices,
and much more. Originally nominated for an Eisner Award.
From the Editor, Margaret
Sobel
The Business of Comics by
renowned comic professional, Lurene Haines, is devoted to the specific
business practices of comic professionals. This informative guide was written
to help comic artists get their stuff published and find work in the industry.
It includes interviews with over 40 comic professionals as well as samples
of their artwork. These interviews, as well as pithy quotes peppered throughout
the book, provide first-hand advice about how to make it in the comic industry.
There are extensive appendixes with lists of comic conventions, art schools,
publishers and distributors as well as sample contracts, submissions guidelines,
and a guide to self publishing. |
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LURENE
HAINES |
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THE
WRITER'S GUIDE TO THE BUSINESS OF COMICS
Everything a Comic Book Writer
Needs to Make It in the Business |
by Lurene Haines |
Paperback: 160 pages
Watson-Guptill Publications
ISBN: 0823058778 |
$16.95
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Loaded with
solid information and instructive interviews, this tell-all insider's guide
takes readers through every possible step on the career road to comic book
writing.
40 illustrations.
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This is the
only book of its kind, devoted to how to get started and make it in the
comics industry as a writer. Loaded with solid information, this practical
guide was written to help comics writers get their stuff published and
find work in the field. The business practices and techniques used by successful
comics writers are included in over 30 interviews with comics professionals,
illustrated by examples of their work. Sprinkled throughout the book, there
are also informative and often amusing quotes from professionals. Both
of these unique features add a friendly human face to the seemingly impenetrable
world of comics publishing. |
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