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KATHRYN HYATT |
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MARILYN
The Story of a Woman |
by Kathryn Hyatt |
Paperback
Seven Stories Press
ISBN: 1888363061 |
$14.95

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Just When
You Thought You'd Read Everything...
You know how someone says
of a book, "I couldn't put it down"? Sometimes it's hyperbole, and sometimes
they're talking about this book. After all the tell-all books and the innumerable
TV movies and mini-series, this simple comic book manages to capture something
new of Marilyn/Norma Jean Baker. Her soul. An incredibly compelling fictional
biography of one of America's most familiar icons, Marilyn Monroe. |
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Kathryn Hyatt,
in telling this story in the comics medium, creates an atmosphere not possible
in a prose biography. Here Marilyn speaks for herself--to her psychoanalyst,
to a reporter--and ultimately to the reader of this book. Beginning where
her unstable mother leaves off, Marilyn begins to dream of fame in early
childhood. The reader follows Monroe's rise to stardom, progressing through
the lower depths of Hollywood into the hard realities of stardom. Seen
through the prism of Marilyn's inner world, her achievements and failures
take on a new complexity and poignancy.
An incredibly compelling
fictional biography of one of America's most familiar icons, Marilyn Monroe.
Kathryn Hyatt, in telling this story in the comics medium, creates an atmosphere
not possible in a prose biography. Here Marilyn speaks for herself--to
her psychoanalyst, to a reporter--and ultimately to the reader of this
book. Beginning where her unstable mother leaves off, Marilyn begins to
dream of fame in early childhood. The reader follows Monroe's rise to stardom,
progressing through the lower depths of Hollywood into the hard realities
of stardom. Seen through the prism of Marilyn's inner world, her achievements
and failures take on a new complexity and poignancy.
The author, Kathryn Hyatt
, February 10, 2000
Marilyn for the Millennium
I was standing in my kitchen
making toast and thinking about shopping for school clothes, when the news
of Marilyn Monroe's suicide came over the radio. That moment, exactly where
I stood, the August morning light, are fixed in my memory like a polaroid.
I was shocked. How could anyone so alive be dead? It hardly mattered that
I had never met the woman. By the time I was twelve, Marilyn Monre already
had a grip on my imagination. As I was growing up, I would rediscover Marilyn
Monroe every few years. I eagerly consumed each revived film, discovered
photograph, and new book. Marilyn seemed to grow in depth and complexity
as I did. When I became an artist, a woman artist at that, my empathy for
Marilyn grew. I became dissatisfied with the way she was portrayed in the
media. The glitzy artificial icon, the simpering self-destructing addict,
the sexual adventuress, the victum of a dozen different conspiracy theories--all
distort, oversimplify and deprive her of her humanity. "My" Marilyn was
flawed, funny, brave, troubled, but most of all hard to pin down. I appreciate
that about Marilyn. She frustrates all efforts to have the final say, to
own her. She still insists on being her own person. |
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JACK JACKSON |
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GOD'S
BOSOM
&
OTHER STORIES
THE HISTORICAL STRIPS OF JACK
JACKSON |
by Jack Jackson |
Paperback
Fantagraphics Books
ISBN: 1560971711 |
$14.95

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From
Booklist:
Much
of the work of 1960s underground comics veteran Jackson, who signs his
strips "Jaxon," has depicted the early history of his beloved home state,
Texas. The lurid title story here tells of the gory deaths of 300 Spanish
shipwreck victims at the hands of savage, cannibalistic Indians. Other
historical tales depict conflicts between natives and missionaries, the
invention of the Colt revolver, and the development of the Camino Real--the
King's Highway that traverses the state. Rounding out the volume are an
encounter with two characters from Jackson's underground days, Oat Willie
and God Nose; an on-the-scene history of the underground comics publisher,
Rip Off Press; and brief anti-Yankee strips and other chauvinistic propaganda
that originally appeared in Austin area publications. This rather motley
assortment lacks the cohesion of Jackson's earlier Spaniards and Indians
tale, Secret of San Saba (1989), and Jackson's scratchy but straightforward
graphic style lacks the sophistication of the best of today's alternative
comix artists. But what Jackson lacks in finesse, he makes up for in gusto.
--Gordon
Flagg
Copyright© 1995, American
Library Association. All rights reserved
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JACK JACKSON |
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LOST
CAUSE
The True Story of Famed Texas
Gunslinger John Wesley Hardin |
by Jack Jackson |
Paperback: 168 pages
Kitchen Sink Press
ISBN: 0878166181 |
$16.95

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Frank
Miller & Lynn Varley |
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300 |
by
Frank Miller
& Lynn Varley |
$30.00

Hardcover: 88 pages
Dark Horse Comics
ISBN: 1569714029 |
"300
is simply extraordinary storytelling--a genius at the height of his powers,
expanding the medium while bringing dry history to teeming life."
--Comics
Buyer's Guide
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300 was named
"favorite comics series of the year" by The Washington Times
.
A story of defiance against
tyranny and valor against impossible odds--Frank Miller's 300 The armies
of Persia--a vast horde greater than any the world has ever known--are
poised to crush Greece, an island of reason and freedom in a sea of madness
and tyranny. Standing between Greece and this tidal wave of destruction
is a tiny detachment of but three hundred warriors. But these warriors
are more than men--they are Spartans!
Frank Miller's epic retelling
of history's supreme moment of battlefield valor is a glorious hardcover
volume--each oversize page encompasses what was originally a double-page
spread, greatly enhancing the graphic and narrative power of this immortal
tale of heroic sacrifice. Story and art by living comics legend Frank Miller,
painted by Lynn Varley. |
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About the Author
Frank Miller is among the
world's most popular comics creators. His work on the original series Sin
City has garnered numerous awards, including two Harvey awards for Best
Graphic Album of Original Work (1998) and Best Continuing Series (1996),
and the series has earned Miller six Eisner Awards, including those for
Best Writer/Artist, Best Graphic Novel Reprint, Best Cartoonist, Best Cover
Artist, Best Limited Series, and Best Short Story. Similarly, books in
his Martha Washington series have won Eisners for Best Finite Series, Best
Coloring, and Best Penciller/Inker. |
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ALAN
MOORE & EDDIE CAMPBELL |
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FROM
HELL |
by Alan Moore & Eddie Campbell |
Paperback: 572 pages
EDDIE CAMPBELL
ISBN: 0958578346 |
$35.00

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Amazon.com:
The mad, shaggy genius of
the comics world dips deeply into the well of history and pulls up a cup
filled with blood in From Hell. Alan Moore did a couple of Ph.D.'s worth
of research into the Whitechapel murders for this copiously annotated collection
of the independently published series. The web of facts, opinion, hearsay,
and imaginative invention draws the reader in from the first page. |
Eddie Campbell's
scratchy ink drawings evoke a dark and dirty Victorian London and help
to humanize characters that have been caricatured into obscurity for decades.
Moore, having decided that the evidence best fits the theory of a Masonic
conspiracy to cover up a scandal involving Victoria's grandson, goes to
work telling the story with relish from the point of view of the victims,
the chief inspector, and the killer--the Queen's physician. His characterization
is just as vibrant as Campbell's; even the minor characters feel fully
real. Looking more deeply than most, the author finds in the "great work"
of the Ripper a ritual magic working intended to give birth to the 20th
century in all its horrid glory. Maps, characters, and settings are all
as accurate as possible, and while the reader might not ultimately agree
with Moore and Campbell's thesis, From Hell is still a great work of literature.
--Rob Lightner
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Josh
Neufeld &
Rob
Walker |
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Titans
of Finance
True Tales of Money & Business |
by Josh Neufeld & Rob Walker |
Paperback: 24 pages
Alternative Comics
ISBN: 1891867059 |
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$3.50

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James Cramer,
Founder, TheStreet.com
A brilliant use of the medium.
Ken Kurson, Money Magazine
...The black-and-white morality
of comics makes the ideal canvas.
Harvey Pekar
...Accounts of the lives
of sometimes rich and frequently unscrupulous hit the mark with their irony
and sharp observations. |
What goes up
must come down. It's a natural law that the New Economy just learned all
over again. Recent times have been fantastically dramatic in the cloistered
world of American business: Narratives full of larger-than-life characters,
outsized egos, astonishing hubris, and lots and lots of money. It's action-packed.
It makes good comics. That's the idea behind Titans of Finance, a new and
groundbreaking merger of reality - straight from the business pages - and
comix. You've never seen anything like it: True tales from the world of
big money, wittily translated through America's most populist medium. Meet
Ron Perelman, the man who made millions while presiding over the Mighty
Marvel Comics train wreck. Thrill to the antics of "Chainsaw" Al Dunlap,
Mike "The V-Man" Vranos, and "Jaybird" Goldinger - and many more of Wall
Street's most well-known Icaruses. These aren't just instructive episodes
about the current climate. They're timeless tales, like the Bible or Cats.
Never mind Spawn and Spider-man. These are our superheroes now.These tales
"hit the mark," says Harvey Pekar, and are "a brilliant use of the medium,"
according to TheStreet.com's James J. Cramer. Best of all, it's all true!
Titans of Finance is entirely based on press accounts. The results are
mind-blowing. Over the past five years, in fact, Titans has crushed the
benchmark S&P 500. You've never seen anything like it - this is one
acquisition you won't regret. Titans of Finance features the crisp art
of Josh Neufeld (co-creator of Keyhole), and the incisive scripts of the
mysterious R. Walker.
From the Publisher
Josh Neufeld has been drawing
comics since he was four years old. With his friend of almost 20 years,
Dean Haspiel, Josh co-created Keyhole, where Josh does stories about his
travel experiences in Southeast Asia and Central Europe. Keyhole has run
for six issues with two different publishers. Josh has contributed artwork
to Harvey Pekar's American Splendor (Dark Horse), the SPX anthologies,
The Big Book of Urban Legends (DC/Paradox Press), and Duplex Planet Illustrated
(Fantagraphics), among others. He resides in Brooklyn and makes a living
mixing freelance illustration with web design.
About the Authors
Josh Neufeld has been drawing
comics since he was four years old. With his friend of almost 20 years,
Dean Haspiel, Josh co-created Keyhole, where Josh does stories about his
travel experiences in Southeast Asia and Central Europe. Keyhole has run
for six issues with two different publishers. Josh has contributed artwork
to Harvey Pekar's American Splendor (Dark Horse), the SPX anthologies,
The Big Book of Urban Legends (DC/Paradox Press), and Duplex Planet Illustrated
(Fantagraphics), among others. He resides in Brooklyn and makes a living
mixing freelance illustration with web design. Rob Walker is a freelance
journalist and the Moneybox columnist for Slate.com. His writing -- on
such subjects as money culture, advertising, music, and sequential artists
has appeared in many magazines and newspapers. Walker has worked
as an editor for the New York Times Magazine, Money, and The American Lawyer,
among other publications. He is a graduate of the University of Tex! as
at Austin, where he had his first experience making comics by co-creating,
with Erin Mayes, an experimental strip that ran in The Daily Texan in 1990.
A native of Texas, Walker now lives in New Orleans. |
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JOE
SACCO |
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PALESTINE |
by Joe Sacco
Introduction by Edward Said |
Paperback: 288 pages
Fantagraphics Books
ISBN: 156097432X |
$24.95

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Art Spiegelman,
Pulitzer Prize-winning author of Maus
"[Sacco's] obviously got
the calling. His stuff is obviously well wrought, with dizzying pages and
good rhythm."
The Journal of Palestinian
Studies
"Palestine deserves a place
among the very best of documentary." |
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Nasseer H.
Azuri, Professor of Political Science, The University of Massachusetts
Dartmouth
"Sacco's Palestine brilliantly
and poignantly captures the essence of life under a repressive and prolonged
occupation."
The Comics Journal #166,
Frank Stack, February 1994
"I may as well get right
to the point. Buy and read Joe Sacco's...Palestine."
Fantagraphics Books is pleased
to present, for the first time, a single-volume collection of this 288-page
landmark of journalism and the artform of comics. Interest in Sacoo has
never been higher than with the release of his critically acclaimed book,
Safe Area Gorazde.
Based on several months of
research and an extended visit to the West Bank and Gaza Strip in the early
1990s (where he conducted over 100 interviews with Palestinians and Jews),
Palestine was the first major comics work of political and historical nonfiction
by Sacco, who has often been called the first comic book journalist.
Sacco's insightful reportage
takes place at the front lines, where busy marketplaces are spoiled by
shootings and tear gas, soldiers beat civilians with reckless abandon,
and roadblocks go up before reporters can leave. Sacco interviewed and
encountered prisoners, refugees, protesters, wounded children, farmers
who had lost their land, and families who had been torn apart by the Palestinian
conflict.
In 1996, the Before Columbus
Foundation awarded Palestine the seventeenth annual American Book Award,
stating that the author should be recognized for his "outstanding contribution
to American literature," while his publisher, Fantagraphics, is "to be
honored for their commitment to quality and their willingness to take risks
that accompany publishing outstanding books and authors that may not prove
'cost-effective' in the short run."
This new edition of Palestine
also features a new introduction from renowned author, critic, and historian
Edward Said, author of Peace and Its Discontents and The Question of Palestine
and one of the world's most respected authorities on the Middle Eastern
conflict.
About the Author
Joe Sacco lives in Queens,
New York. In April, he received a 2001 Guggenheim Fellowship to work on
his next project. |
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